Using scores that are "n.d."

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jonparks
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Using scores that are "n.d."

Post by jonparks »

Hello,

I've noticed that a number of scanned scores have an unknown date of publication. In most (if not all) of these cases, the composer's death is far enough in the past to make their work public domain. But how can we have confidence that a particular score of a composer's work is itself in the public domain if we don't know the date of its publication?

Thanks!

Jon Parks
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Re: Using scores that are "n.d."

Post by goldberg988 »

I am not an expert, but I suspect our reasoning is thus: since Publication date (Copyright date) is more important for U.S. Copyright law (i.e. must be before 1925), it would seem that few publishers in the 20th century would be careless enough to not put a copyright date on their [new] publication. Some publishers, however, are notorious for not doing so for old engravings, even with scores you would purchase new today (C. F. Peters, for example). Then it takes a little detective work; you can use the plate numbers at the bottom of the page to estimate approximately what year it was probably engraved; and certainly the style, clarity, and other details of engraving will help you decide an approximate era. I suppose also, if something is published without a copyright notice at all, how does the publisher claim any right to it, anyway? (in the U.S.). If the publisher could later prove that it WAS first printed in 1927 or something, I suppose it would have to be taken out of Public Domain for the U.S. But I think this never happens.
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Re: Using scores that are "n.d."

Post by Carolus »

Items published without a date were automatically injected into the US public domain upon publication if first published before 1978. If published 1978-1988 the public domain injection was not automatic, but copyright owners had to file a claim of copyright and the certify that the publication without notice only applied to a small number of copies and was corrected. The notice requirements were abolished in 1989. There is the matter of GATT restoration but in order for a copyright to be restored it has to be under copyright in the country of origin (urtext type editions over 25 years old fail this test if published in the EU), must have been first published outside the USA by a non-US resident, the NIE must be filed, etc. Obviously fraudulent claims of copyright (reprinting a work and sticking a bogus claim on it) certainly don't qualify and are actually illegal under the US statute - though never prosecuted unfortunately.
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