Favorite Climaxes

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Re: Favorite Climaxes

Postby allegroamabile » Fri Aug 06, 2010 10:51 am

Gesamtkunstwerk wrote:Oh, and Il Pini di Villa Appia...drool!!


I love that one too. Just imagine the Roman army marching in full force after conquering a land like Gaul or Britain! :)
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Re: Favorite Climaxes

Postby sbeckmesser » Mon Aug 09, 2010 1:58 pm

allegroamabile wrote:I love that one too. Just imagine the Roman army marching in full force after conquering a land like Gaul or Britain! :)


IMSLP est omnis divisa in partes tres.

1. free scores
2. temporarily blocked scores
3. scores that even Julius Caesar and his Legions couldn't get their hot Roman hands on.

--Sixtus
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Re: Favorite Climaxes

Postby ZacPB189 » Thu Aug 26, 2010 11:03 pm

...almost forgot! Richard Strauss's Solome has the most amazing show-biz climax at the end :mrgreen: .
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Re: Favorite Climaxes

Postby allegroamabile » Fri Aug 27, 2010 5:37 am

The climatic section towards the end of the first movement in Sibelius's Symphony No. 2 is very moving. He takes the somber second theme of the piece and alters it by transforming it into a majestic, triumphant brass fanfare.
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Re: Favorite Climaxes

Postby sbeckmesser » Sat Aug 28, 2010 1:51 am

ZacPB189 wrote: Richard Strauss's Solome has the most amazing show-biz climax at the end :mrgreen: .


Do you mean the very end, where she get crushed (the squealing woodwinds at 362 are inspired) or the preceding multi-peak climax of the scene with the head (I like the famous grinding chord a half measure before 361, though the ultimate climax of the vocal line is a few bars before this)?

--Sixtus
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Re: Favorite Climaxes

Postby ZacPB189 » Mon Aug 30, 2010 3:13 pm

sbeckmesser wrote:
ZacPB189 wrote: Richard Strauss's Solome has the most amazing show-biz climax at the end :mrgreen: .


Do you mean the very end, where she get crushed (the squealing woodwinds at 362 are inspired) or the preceding multi-peak climax of the scene with the head (I like the famous grinding chord a half measure before 361, though the ultimate climax of the vocal line is a few bars before this)?

--Sixtus


"*Crash!* Ich habe deinen MUND----- gekuesst" That's the climax, the shield crushing is more of a coda.
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Re: Favorite Climaxes

Postby allegroamabile » Wed Dec 08, 2010 1:00 am

The unexpected climax in the first movement of An Alpine Symphony by Richard Strauss is amazing, especially since it relatively comes from nowhere. I love the addition of the snare drum Strauss adds to the orchestration, creating a fusillade of sound which carries us from the nighttime atmosphere to the majestic sunrise.
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Re: Favorite Climaxes

Postby pjones235 » Wed Jan 12, 2011 10:10 pm

My favourite climax is in Piotr Ilyich Tchaikovsky's "Marche Slave" in the introduction to the main theme.
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